No magic. No rescue. Only the deliberate courage to keep choosing breath.
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Welcome. I’m Shonie Hartley Wahl, and I write stories where work becomes language and survival becomes art. 
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Author of The Cinders We Choose, a reimagined casino games American fairy tale of breath, work, and chosen freedom. My fiction explores the quiet revolutions of women who make their own air stitch by stitch, word by word. The Cinders We Choose is the first book in my Open From the Inside series: a lyrical reimagining of aviator bet tanzania classic fairy tales set against real American history.
No magic. No rescue. Only the deliberate courage to keep choosing breath.
Read the Prologue
Welcome. I’m Shonie Hartley Wahl, and I write stories where work becomes language and survival becomes art.
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Hello, I’m Shonie Hartley Wahl, a writer drawn to the spaces between history and fantasy. Before I was a novelist, I was a police betting officer, a job that taught me how much a single breath, a single choice, can change a life.
An on-duty accident ended that career twenty years ago, and with it came the long, quiet work of reimagining who I was.
The idea of reimagining Cinderella had world cup betting odds lived with me for years, long before I ever called myself a writer. When I finally returned to it, I found that story waiting, patient, persistent, ready to become The Cinders We Choose.
Writing became the place where I rebuilt myself, word by wetten fussball wm word, page by page. What I once carried as loss, I now understand as transformation.
Like Ella Whitlaw, I learned that survival isn’t a single moment of rescue, it’s a continual act of choosing.
I write lyrical historical fiction about les 10 meilleurs sites de paris sportifs identity, endurance, and the everyday courage of women who open the world from the inside.
When I’m not writing, I can usually be found crafting with my grandchildren, sitting on the beach, or walking with my dog, Niklaus. 
A Gilded, Age reimagining of Cinderella where no one waits to be rescued. 1896 New York.
In a city gilded with mirrors and soot, nineteen-year-old Calendrier Coupe du Monde 2026 Ella Whitlaw lives between two worlds: the parlor that names her and the factory that forgets her.
When a seamstress’s cough exposes the price of progress, Ella begins to weave a silent rebellion into the hem of her dress, an ash-colored argument that Meilleurs sites de paris sportifs will teach the city to breathe.
The Cinders We Choose is a story of precision and defiance, where work becomes proof, air becomes currency, and freedom is crafted, not granted.
Motifs: ash, breath, doors, naming, mirrors, work.
Series: Open From the Inside #1
Tone: lyrical | feminist | psychological | historical
The Cinders We Choose began with a single image: a dress stitched from ash.
That image became a question what does it cost to stay silent, and what does it mean to speak?
But it also began with my daughters. As much as I love Disney, and I do, we are a Disney family, I never wanted them to grow up waiting on a prince to save them. I wanted them to know their own worth, their own voice, their own power to open doors.
As I researched the Gilded Age, I was struck by how progress and oppression coexisted: how beauty concealed labor, and how women’s hands built the very luxury that erased them. From that contrast, Ella Whitlaw was born, a woman who turns her craft into protest and her silence into language.
This story honors the quiet revolutionaries who change the world not by shouting, but by choosing what to create from the cinders left behind.
Shonie Hartley Wahl
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Clara Jenkins
Historical Novel Review
Margaret Lane
The New York Chronicle.
Kara Mitchell
Book Club Host, ‘Readers & Revolutionaries’
Clara Jenkins
Historical Novel Review
Margaret Lane
The New York Chronicle.
Kara Mitchell
Book Club Host, ‘Readers & Revolutionaries’
Book Two, The Thorns We Keep
Philadelphia, 1918. A retelling of Sleeping Beauty woven through the factories and field hospitals of a nation at war.
Each book in the Open From the Inside series stands alone, but together they trace a hidden history of women who turned survival into authorship.
contact@shoniehartleywahl.com
A: The novel is fictional but rooted in the real history of New York’s Gilded Age garment factories, where women’s work built society’s elegance at unimaginable cost. Ella’s world is inspired by those true conditions and the quiet acts of defiance that changed them.
A: The dress began as a question of visibility, what does it mean for women’s labor, grief, and power to be seen? Ella’s dress is not only an act of protest but also a way of reclaiming her own breath, her own voice, through the language of craft.
A: Because cinders are what remain after transformation. The story isn’t about what burns, it’s about what endures, and what we choose to rebuild from what remains.
A: The Gilded Age exposes how progress and exploitation often shared the same table. It mirrors our own world’s contradictions, how beauty can be built on silence, and how women’s labor is still too often unseen.
A: That small, persistent acts breathing, naming, sewing, choosing are revolutions. True change rarely begins with noise, it begins with work.
A: Available through Amazon, Barnes & Noble, Ingram, and independent booksellers. Readers can also find updates, book clubs, and signed editions at shoniehartleywahl.com.
A: The novel is fictional but rooted in the real history of New York’s Gilded Age garment factories, where women’s work built society’s elegance at unimaginable cost. Ella’s world is inspired by those true conditions and the quiet acts of defiance that changed them.
A: The dress began as a question of visibility, what does it mean for women’s labor, grief, and power to be seen? Ella’s dress is not only an act of protest but also a way of reclaiming her own breath, her own voice, through the language of craft.
A: Because cinders are what remain after transformation. The story isn’t about what burns, it’s about what endures, and what we choose to rebuild from what remains.
A: The Gilded Age exposes how progress and exploitation often shared the same table. It mirrors our own world’s contradictions, how beauty can be built on silence, and how women’s labor is still too often unseen.
A: That small, persistent acts breathing, naming, sewing, choosing are revolutions. True change rarely begins with noise, it begins with work.
A: Available through Amazon, Barnes & Noble, Ingram, and independent booksellers. Readers can also find updates, book clubs, and signed editions at shoniehartleywahl.com.
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